Showing posts with label Advice. Show all posts
Showing posts with label Advice. Show all posts

Thursday, August 9, 2012

The Puzzling Mind Clip Show

 
Sometimes it's nice to reminisce and be reminded of funny, exciting, or profound moments from the past.
Television studios use clip shows to do thi although the practice has become rare.

Clip shows are not always a Best Of show.  They can also be a convenient way to bring audiences up to speed on things they may have missed in past episodes.

Sometimes history is worth repeating.

Today, I'm bringing you my blog clip show.  Here are 13 posts compiled from the archives.

Please don't be shy and feel free to leave a comment anywhere.  I love to hear from you.

10 Ways Writing is Like the Rubik's Cube
Are You Afraid of Process?
13 Reasons Why You're Not Published
Do You Need a Deadline?
Don't Do What You're Told!
It's the Journey, Not the Destination
Story Structure and the Rubik's Cube
Go Ahead, Quit! It's Not Taboo.
The Rubik's Cube and The Great Gatsby
Short Stories? Like, Gag Me With a Spoon!
The Trick to Writing  Revealed
Billions of Free Story Idea At Your Fingertips!
13 Popular Novels Gone Dirty

And if you haven't checked out my latest Rubik's Cube writing post you're in for a treat.  This one really does require audience participation:  The Rubik's Cube Writing Promptetition.  If you're a writer, then you should share something with the world.

Thank you for stopping by!

Thanks to Cyaniona on Flickr for the great photo!

Wednesday, August 1, 2012

The Rubik's Cube Writing Promptetition

Practice makes perfect.  Sometimes you just need help getting started.

Speedcubers perfect their ability to solve the Rubik's Cube by being flexible and adapting to different scrambled states for each solve.

In competition, participants are given a scrambled cube that has been turned at least 25 times.  This ensures that everyone is presented with a fair starting point.

Even if every competitor were presented with the exact same starting point, let's say:
L'  R  F2  D2  L'  D  F  B'  L  F'  U'  D2  F  R'  U'  L'  B2  D2  L'  D'  U2  F'  L  D2  L
you would get wildly different results.  For example, this particular scramble may produce the World Record solve of 5.66 seconds or the embarrassing 39 seconds with my lethargic hands.

(Nerd alert: The code above simply defines the sequence of turns to perform on the cube to mix it up.  L for left face clockwise, R for right face clockwise, etc.)

In any case, there are websites that generate these random scrambles that give you a starting point for any particular solve attempt.  It's a nice way to get an apples-to-apples comparison for timed competitions.

Now when we write, we don't always have a convenient starting point.  So today, I am giving you a writing prompt.  It's always fun to see the variety of different things writers come up with when given the exact same prompt.

Your goal is to write a story, a scene, a description anything really based on the following prompt.  Post your results in the comments below.  Please try to keep it to approximately 100 words.

Prompt:
Start your piece with the following sentence:

With the marching band eager to storm the field, she fumbled with the Rubik's Cube trying to shield her nakedness from the stadium lights.

The Rubik's Cube Promptetition emphasizes challenging yourself rather than besting others.  Also, this is not a timed event – unless you want it to be.  And although this is not judged officially, you just might win praise from me or other participants.
 
Have fun and Go!

Thanks to Argonone on Flickr for the picture!

Sunday, July 15, 2012

Don't Hate 50 Shades of Grey

Square-1
Perhaps you've heard the hype surrounding the recent phenomenon.  Maybe you can't understand why it's so popular.
  • Some say the quality is poor.
  • Others point to its awkwardness.
  • And is it really so original?
I'm talking about the Square-1 of course.

The Square-1 is a twisty puzzle.  I like twisty puzzles.

When solved, The Square-1 ends up as a six-sided colored cube.  Yep, I'm a cuber, keep going.

The Square-1 offers a unique challenge and it changes shapes when it's scrambled.  Again, sounds like something right up my alley.

Yet, I don't particularly like this puzzle.  But I don't hate it either.

The Square-1 is sliced through the middle on a diagonal axis that makes it rather different to solve than other puzzles like the Rubik's Cube.
I could appreciate what the Square-1 set out to do as a puzzle.  You turn faces.  You attempt to move pieces around the puzzle.  And you try to match all of the colors on each side.  

For me, it was a bit more painful to solve, but it had me intrigued.  I was hooked.  The Square-1 had that something to keep me at it until I was done with it.

And that was why I didn't set my Square-1 ablaze after I discovered it's not so much like the Rubik's Cube after all.

Let's move on to the recent phenomenon, 50 Shades of Grey, and see if there's something to appreciate in it, too.

Love it or hate it, this novel by E.L. James has become wildly popular.

I'm not going to jump on the bandwagon and write a scathing (or praising) review of the book.  I really just want to point out there may be a lesson we can all glean from its popularity.

Sure the grammar may be awkward and the dialogue trying.  And there are already scores of blogs and websites dedicated to bashing the book.  But none of that academic stuff really matters.  It's not the writing style.  It's not the subject matter.

There must be something else between the covers that connects with so many people.

Identification

One of the biggest reasons for the popularity of this novel is character identification.

When you identify with characters in a story it's easier to suspend disbelief.  It's easier to ignore minor author annoyances.  You really just want to find out what happens to the characters.  Am I saying everybody who loved the book is into Sadomasochism?  No.  To identify with a character is not the same as imitating the character.

But what woman hasn't felt undesirable at some point and think she's not beautiful?  It can create a longing to feel desired and told you're beautiful.

Could this craving in Anastasia, the main character, be one of the things readers connect so deeply with?
And of course Christian Grey is a layered character in the novel -- it's called 50 Shades of Grey after all.  He's controlling, but he wants to be accepted too.  People can identify with these basic character struggles even if they do not share all of their specific traits or feelings.

I really think the lesson here is the character identification in 50 Shades of Grey is what strikes a chord that resonates so deeply with a lot of people.

Why do you think it's so popular?

Sunday, July 1, 2012

The Rubik's Cube and The Great Gatsby



Practice makes perfect, but versatility spawns greatness.

I became a serious cuber when I finally accepted the truth of this statement.

No single method of solving the Rubik's Cube  no matter how perfect  will give you insight to truly master the cube.

Believe it or not, there are scores of methods for solving the Rubik's Cube.  Some are optimized for speed, others for ease of learning, and yet others to use the fewest possible moves.

It wasn't until I learned a method to solve the Rubik's Cube blindfolded, that I understood things on a more profound level.

Solving the cube sighted is rather reckless.  While you focus on one portion of the cube, you don't really care what happens to the majority of the other pieces.  And you have the freedom to 'wing it' and decide what to do next after each move.

But solving the Rubik's Cube blindfolded is a huge departure.  You are constrained in what you can do because you must keep track of the original position of every piece.  You must take great care to move each piece into its correct location.  This requires meticulous planning.

Many of the lessons I learned from my blindsolving method could be applied to my normal, sighted method.

What about writing lessons?

I'm willing to bet F. Scott Fitzgerald achieved his greatness because of similar lessons he learned along the way.

His first two novels were significantly character-driven and somewhat lengthy.  A stark contrast to his masterpiece, The Great Gatsby.  But if you look at what was happening in his life prior to that you'll see some of his versatility coming through.

He had been struggling financially and began writing short stories to make ends meet.  He later wrote a play called The Vegetable.  Each of these experiences heavily influenced what would become The Great Gatsby.

He no doubt applied some of the lessons he learned writing short stories.  And this produced the concise novel we have come to love.  But also, you can see the influence of having written a structured play.  The Great Gatsby is a very plot-driven novel.

So, if you write novels, try writing short stories.  If you need help writing dialogue, try writing a play.  If you write romance, try writing an action thriller.

There are countless techniques and methods for writing.  Each one has something special to make you a more versatile writer.  And don't worry if any one particular piece doesn't work  just remember Fitzgerald's The Vegetable was a commercial failure.  But it led to his most recognized achievement.

What unexpected writing lessons have you discovered?

Friday, June 15, 2012

Old Habits Die Hard

I'm haunted by old habits.

It would be easier if I could start over with a clean slate.  But I'm tainted by the past.

Even if I find a better way to do something, I can't seem to break that old habit.

The Rubik's Cube
It's been a few years since I first learned a method to solve the Rubik's Cube.  I slogged away using one of the most inefficient, although straightforward methods for solving the cube.  But I've learned a great deal since then.

Like most things in life, it's not until after you've mastered the basics that you learn useful shortcuts.  But for me, I always gravitate back to the method I've been using since the beginning.  Although I have graduated to more advanced concepts that are clearly faster and more efficient, I inevitably revert to what I know.

My brain will pleads, "Just do, F, R, U', R', U', R, U, R', F'!"  But muscle memory kicks in, ignores that voice in my head, and my fingers just move according to the beginner's playbook.  It's something I cannot turn off.  It's something I'm too comfortable with.

When I'm in the zone, I just do what comes naturally, right or wrong.  It's a force of habit.

Writing Habits
The same goes for writing.

When I'm in the writing zone, it's really difficult to keep track of all of the tricks and techniques that make good writing great.  Or in my case, bad writing good.

One of my habits is writing scores of description and exposition with no real purpose in the scene.  Being enamored with the genius of your own prose is such a novice thing to do, but I can't help it.  Even if I know I should be thinking about things like conflict or establishing character, that beautiful prose wins out.


Perhaps you have a habit of using the same words over and over again.  Perhaps I'm guilty of it right now.  The truth is, it doesn't really matter while you're in the zone, as long as you apply all of the tips and tricks and lessons afterward, when you edit.

Your turn.  When you're in the writing zone, what bad habits are you haunted by? 


Thank you to Sudipto Sarkar on Flickr for the image!

Friday, June 1, 2012

Go Ahead, Quit! It's Not Taboo.

Super Square-1
I admit it.  I gave up.

Now, defeat is not really my thing, but sometimes it's just better to tuck your tail between your legs and move on.

To be specific, I gave up on a puzzle.  Yeah, that's the one.

It's not that there was anything wrong with this particular puzzle.  In fact, based on my love for twisty puzzles, like the Rubik's Cube, there's every reason why I should have stuck with it.

But I couldn't.  This one simply wasn't right for me.

Perhaps it was because I could not adapt and apply the same techniques I was already familiar with.  I don't know, but it felt completely foreign to me.  So with scores of other puzzles under my belt, this one stands alone.  Unsolved.  Abandoned.

But why should I dwell on it?  Does it really diminish the value of the other cubes I have solved? Does it really diminish how I perceive myself as The Puzzling Mind?

Who cares?

Our society puts too much emphasis on 'winning' anyway.  Right, Charlie Sheen?

Sometimes 'winning' is just realizing when you've reached your limit.  Or realizing when you are not progressing any further.

Sometimes quitting is the right thing to do.  The smart thing to do.

Take this story I have been working on for six months.  It's been written, edited, and rewritten countless times.  I turn it over in my head and struggle with why it's not working.  I cannot seem to get it right.  I can't get this particular story  done.

Nothing feels right.

The voice doesn't sound like me.  The characters feel uneasy.  The story resolves itself, but not profoundly.  In short, it's a mess.  But something has me clinging to this failure.

Why can't I let it go?  Is it really so wrong to shelf a story?

Well, I'm going to do something taboo!  

I quit.

There, I said it.  I quit.  I'm going to quit this story.

And look, I'm still here!

Society may scorn me, but I don't need its approval, or its permission.  I quit, because if I stay hung up on this futile story, I will never move on to others.  I'm going to accept defeat with this piece and simply move on.  I'm going to learn from this.  This particular story isn't right for me.  And I'm not going to dwell on it.

This feels great!  What a relief!  Life is too short to worry about what people may think.  Get over it!  If you're a writer, write.  If you're a puzzler, solve puzzles.  Not everything is going to work.  Not everything is going to feel quite right.  That's part of the process.

I give you permission.  If it doesn't feel right, give up.  Quit.



Are you hung up on something for the wrong reasons?  Please share your experience in the comments.

Tuesday, May 15, 2012

Maybe They're Just Not Interested

I'm a show-off.  I can't help it.  But I'm not alone.  Because I know at least once in your childhood you have said, "Hey Mom, look at me!"

Face it.  Everybody likes to be the center of attention.  Unfortunately, not everybody can be your Mom.  Therefore, some people simply won't be impressed.

I learned this lesson the hard way just after I learned to solve the Rubik's Cube.  Every chance I got, I demonstrated my new skill to everybody.  Well, the problem was that I didn't figure out how to solve the Rubik's Cube until adulthood.  Now, if I were still 8 years old, perhaps the story might be different, but most working adults have no interest in seeing another so-called adult playing with a toy.

Even still, I found a small percentage of people who were genuinely fascinated with my Rubik's Cube abilities.  They truly appreciated what I was doing.  They actually cheered me on.  I had found my ideal audience.

Find your target audience.

Now think about your writing for a moment.  At some point you need to accept the fact that you cannot please everybody.  This is a fact.  This is a guarantee.  But don't sweat it!

Some people simply are not going to be interested in your writing.  They are not your target audience.  Try to ignore the naysayers.

The great thing about writing fiction is there are so many different styles, genres, subjects, and lengths to write; you are bound to find readers to please.  When you do find your target audience, they will clamor for your writing.

Remember not every reader out there is going to be like your Mom, but they do exist.  So keep writing!


Have you ever felt discouraged targeting your writing to the wrong audience?

Tuesday, May 1, 2012

Story Structure and the Rubik's Cube


What can the Rubik's Cube teach you about story structure?  Everything you need to know to create dramatic stories!  Here's how.

Using the rule of threes.

Most people learn a layer-by-layer method when they first learn to solve the Rubik's Cube.  Simply put, you solve the cube like stacking layers of a wedding cake.  Solve the first layer, then the middle layer, and then the last layer.  Poof.  It's solved!  Easy as 1,2,3.

Most stories can also be broken down into three main parts.

You probably know that a story has a beginning, a middle, and an end.  Obviously!  But, what this really means is that a story must have the following three fundamental elements:
  1. A conflict
  2. Character(s) struggling to overcome the problem
  3. The resolution (either won or lost)
That's it.  Include these basic elements and you have the most common story structure.

For example:

What is the conflict?
I must solve this puzzle, but there are 43,000,000,000,000,000,000 possible ways to further mess it up.

What is the struggle?
I plan to solve the puzzle one layer at a time.  Complications arise.  If I try to solve the pieces in the middle layer, I risk messing up the first layer pieces.

What is the resolution?
My actions bring me to a turning point.  I now have two layers solved.  Here, the stakes are highest.  With every move to solve the remaining pieces, I might have to start over from the beginning.  I am fully committed and must risk it all to move forward.  I will reach a final resolution.  


On the one hand, I may achieve my goal and solve the cube successfully.  On the other, I may not, and I chuck it against the wall in frustration.  Either way:  "The End".  The story is resolved.

You'll find these three elements in almost every classic story, from "Romeo and Juliet" to "Cinderella".  The amazing thing about Shakespeare is he didn't even have the Rubik's Cube as a guide and yet he still wrote masterful stories.


If you found this helpful, please comment below or share on Twitter or Facebook.

Sunday, April 15, 2012

How To Write Fiction

This image originally appeared in my Don't Over Think It post.
If you don't know what you're doing then everything seems impossible.

Take the Rubik's Cube.  When you open the package, an "instructional booklet" will fall out.  It may as well be a booklet on Quantum Theory printed in Aramaic.  Really, it's supposed to be a booklet of hints to make solving the Rubik's Cube achievable.  Fun even.

It won't take long to realize that booklet is useless.  If you persist and don't smash the cube into a million tiny pieces, then you will eventually discover a "Beginner's Method" to solving the Rubik's Cube.  These are all over the Internet.  These methods actually used to appear in book (you know, those paper thingies).

It may seem awkward at first, but the instructions provide a series of tried and true steps and before you know it, Viola!  You have a solved cube.  But there are many different ways to skin a cat.

I have studied many different methods over the past few years.  This gives me a lot of flexibility to adapt different tricks and techniques for each situation.  I achieve the same end state, a solved cube, but I'm not forced to do it the same way every time.

The same is true for writing.

If you don't know what you're doing, getting published may seem impossible.

When you first become serious about being a "published" author, it's natural to start with the tried and true.  What did Stephen King and Nora Roberts do to get published?  The real question to look at is what did they do to create fascinating stories for their readers?

But don't get too confident too soon.  Learning about character development is one thing, but don't expect to be able to put 20-30 three-dimensional characters into your story right away.  You'll need to focus on the craft at first.

What works for King or Roberts, might not work for you.  And that is just fine.  Don't just try to emulate their processes either.  There's a lot of talk in the writer community about outlining or not outlining.  Writing every day or only on the weekends.  Editing as you go or not looking back until you have a completed draft.

The truth is.  It really doesn't matter how you get there.  You need to allow yourself to understand what works for you.  For any given situation.  You may be experienced writing romance but trying to sell thrillers.  You need flexibility.

So, whether you use a "Beginner's Method" straight out of a writing craft book, or an "Advanced Method" gleaned from the likes of King or Roberts, you will find some basic and universal truths.  These truths are what makes writing worth reading.  That's why Nora Roberts has published more books than I have probably read in my lifetime.

What is the best writing lesson you have learned?

Sunday, April 1, 2012

Bigger Doesn't Mean Better


Tony Fisher - Modifies Rubik's type puzzles
(Somebody who's actually more obsessed with the Rubik's Cube!)
 Once you conquer the Rubik's Cube, you'll keep your eyes out for the next big thing in puzzling. 

First it will be the Rubik's Revenge, or the 4x4.  Then it will be the Professor Cube, or the 5x5. 

Next, feeling particularly confident, you'll send away for a 7x7x7 cube.  This puzzle has seven layers of tiny pieces in every dimension.

It's so large, it bulges.  You'd have a hard time convincing your Geometry teacher that this is in fact still a cube!

I actually have a 7x7 cube.  What I quickly learned was that Bigger isn't always Better.

Turning this puzzle is difficult because there are so many layers to deal with.  It jams when the layers are not perfectly aligned and some of the small pieces can pop out.  But the dramatic size is really the problem.  It's simply too awkward and difficult to hold.

Once you get past the novelty of yet another variation on a similar theme, this enormous cube doesn't seem worth the hassle.

The same can be true with your writing.  Bigger doesn't mean better.

As writers, we are inundated with all sorts of advice and it's difficult to know which lessons to heed.  One piece of advice I often hear is along the Go Big or Go Home theme.  You've got to hook readers and keep them hooked.  That won't work with boring stories or boring characters.

The problem is that unpublished writers often interpret this to mean grandiose stories and characters.  They err on the side of melodrama rather than creating compelling drama.  So they will introduce more plot complexity.  They will bring you bigger explosions on Page 1.  They will bring you more stuff happening to characters we can't identify with.

A car explodes on a busy street in the first chapter.  A house explodes later.  Eventually, you decide, there must be a nuclear explosion before it's all over.

But really, your stories don't have to be grandiose.  Readers can see right through gimmicks.  When a reader abandons an action-packed story, it's usually because it's just become too awkward and unwieldy.

Now, there is nothing wrong with explosions.  But you can wow your reader with subtlety too.  Think about how much more powerful it is for the reader to experience tension and suspense, rather than having their hair blown back.

How would you make your story better than that last best seller?  It's easy to think Bigger.  But the reality is that publishers (and readers) want "the same, but different".  By the same, this means doing what is tried and true for a genre.  By different, this means original, but not melodramatic.

Tony Fisher (shown above) has been successful modifying Rubik's type puzzles because he is able to tap into what was successful with the original puzzle and still keep that essence with his various inventions.

What do you think?  Is bigger better?

Thursday, March 15, 2012

Analysis Paralysis

Something's broken.  And I'm stuck.  One of the pieces on my cube broke and I have been too nervous to try to fix it.

I have been worried that glue would seep into the internal mechanism and render it useless.  Or that I might accidentally affix the tip of my finger to my cube and literally be stuck.  Either situation would be too painful to bear.

I have been too paralyzed to fix it and so I haven't been able to enjoy all that it has to offer.  But it hasn't been all bad.  It has forced me to spend some quality time with other, more neglected puzzles.

And that's just it!  Sometimes when you think one thing is broken, it could actually be a sign that your priorities are broken.  Perhaps I have been worshiping this particular cube.  Perhaps it broke because of overuse.  With all of this focus on this one cube, something else had to suffer.

I've had this sort of thing happen with my writing too.  Certain things in life tend to bubble up and wedge out what would be my writing time.  Just like the broken piece on the cube, things beyond my control prevent me from writing the way I really want to.  It's inevitable, and that's okay.

The problem is that I have been obesessing and worrying about not writing the way I'm used to.  I really should embrace this time as an opportunity to reevaluate my priorities.  Maybe something else is actually broken.  Maybe this is the new norm.  Maybe there is no glue to "fix" my writing.

In any case, I do think it's time to get out the super glue and fix that puzzle.

Does your writing ever suffer from analysis paralysis?

Wednesday, February 15, 2012

Billions of Free Story Ideas - At Your Fingertips!

I had a major realization on Valentine's Day.  And no, it had nothing to do with loneliness or feeling needlessly pressured to commit.

While I was arranging my candy conversation hearts into suggestive phrases, (yes, I can be quite immature,) I was struck by a clever idea for the writing process.

As you know, there are billions and billions of possible combinations to the Rubik's Cube.  Actually, there are over 43 Quintillion.  (But, let's just say, infinite to us mortals.)

Well, if a small bag of stale Sweetheart candies can produce at least one gem of an innuendo, just think of the possibilities with 43 Quintillion hearts!

What does this have to do with writing?
  • Do you ever get writer's block?
  • Not too thrilled with your current plot ideas?
  • Do you have a scene in Act II that just doesn't cut it?
What if you had a convenient and portable way to spice up your writing?

Introducing The Rubik's Cube Writing Prompt Generator.  With this device, I guarantee you will never come up with the same scene or story idea twice.

So, here's the deal.

You can use a Rubik's Cube to generate six master plots or dramatic conflicts with every scramble.
 
A Rubik's Cube has six sides, each with nine different stickers on it.  A major story element can be written inside of each sticker: conflict, setting, character flaw, etc.  Mix up the cube, and you just may end up sticking that vampire in a zombie apocalypse.

One thing you should know.

The center positions are never going to move relative to each other.  Therefore, this should be a central conflict or one of the universal plots you enjoy working with.  The other stickers are completely up to you.  A single word.  A small phrase.  Random.  Related.  It doesn't really matter.

New prompt every time.

The great thing about The Rubik's Cube Writing Prompt Generator is, every time you scramble the cube, you have six different story ideas to choose from.  Even if you end up with something you don't like, you can always scramble it some more for a totally new set of ideas.

The Rubik's Cube Writing Prompt Generator can help you generate new and fresh ideas when you are stuck.  It's very flexible, infinite, and, unlike Sweethearts, you won't have the dreaded Sugar Crash.

What do you think?

Wednesday, February 1, 2012

Are Your Writing Tools Versatile?

I try to avoid acquiring single-function items because they are usually good for one thing:  taking up space.  Ask anyone with a bread maker or an indoor grill.

Actually, some items can function exceptionally well at a single task and enrich our lives.

Take the Rubik's Cube.  I spent countless hours feeling challenged, frustrated, and ultimately fulfilled.

Yet, it's still a 'single-function' puzzle.  I needed variety.  So I ended up buying scores of different 'single-function' puzzles.  Each with a different twist (obvious pun).  It wasn't until I discovered the Rubik's Revenge (4x4) that I became enamored with its versatility.

The Swiss Army Knife of Puzzles

I expected the Rubik's Revenge to be more complex than the Rubik's Cube.  It may not be apparent at first, but it has four mobile center pieces on each of its side.  They are not fixed to a center axis like the Rubik's Cube.

What I did not expect was the Rubik's Revenge is actually three puzzles in one.

In addition to its four slices on each side, the Rubik's Revenge can be operated as two other puzzles shown above.  So, with this single puzzle I can emulate three totally different puzzles.

Okay, I did not discover the Grand Unified Theory of physics, but it was still a pleasant surprise.

Another Versatile Tool

I recently discovered another versatile tool:  the Kindle.

I wanted an eReader specifically for one thing, and one thing only:  to read.  Strictly a single-function item, right?  I did not want a tablet computer.  I did not want games.  I did not want the Internet.  I wanted the eInk variety.  The small Kindle, WiFi only.

But I discovered the Kindle is much more than a simple eReader for short story collections and novels.

If you are the type of person who likes to read in a jazzy coffee shop but instead find yourself reading on a bustling commuter train, you can use the built-in MP3 player to listen to your favorite music.
You can also create an eInk photo album on your Kindle.  Create a folder called "pictures" on your Kindle while it's connected to your computer.  Inside that folder create a sub-directory named "Album 1" with picture files copied into it.  Once you disconnect your Kindle and navigate to the Home screen, press Alt+Z.  Your new album of photos should now be listed in your library.

The Kindle can also be an extra USB memory drive in a pinch if a friend or colleague is trying to get you electronic data.

Not Just For Reading eBooks

The Kindle is great for reading documents, too.  I stare at a computer screen all day for work, so I avoid reading on a back-lit screen as much as I can.

It's great for the editing process.  I will transfer my WIPs and my critique partners' pieces to the Kindle for the initial read-through.  Of course I wouldn't do a complete red-line on the Kindle, but I do capture some important notes so I won't forget them later.

For my day job, I will also use my Kindle to read sales proposals and technical requirements documents.  It not only saves printer ink, but also saves my eyes.

Finally, if you are one to store your favorite recipes in a document on your computer, consider storing and viewing them on your Kindle.  They'll be quickly at hand and you can bookmark your favorite recipes.

Although I originally thought of the Kindle as a single-function item, it is more versatile than that.


What reading or writing tool is more versatile than you thought at first?

Sunday, January 15, 2012

The Trick to Writing – Revealed

Performance Artist, Johan Lorbeer
"How do you solve the Rubik's Cube?"

I hear that a lot.  But most people really don't want to hear the answer.  They'll make some quip about solving it when they were younger by tearing off the stickers or simply giving up out of frustration.

They'd rather believe the illusion that it's nearly impossible to solve.  After all, there are 43,252,003,274,489,856,000 possible configurations.  Lottery odds don't deal with numbers so large!

Let me level with you.

There is no big secret.  But, once I describe one of the countless methods to solve the Rubik's Cube, the mystique wears off and I often hear a contemptuous, "Oh, it's just a trick?"

No, it's not just a trick.  But in hindsight, any elegant answer to a complex problem seems like a trick.

With the Rubik's Cube, if you understand a few basic concepts and rules it can be rather straightforward and intuitive to solve.  However, depending on your approach, it can also appear quite complex.  Some such methods designed for speed-solving require the memorization of several hundred algorithms, or seemingly magic moves, that will have a particular effect on a portion of the Rubik's Cube.  For any non-speedcuber, such a technique can appear to be nothing more than a gimmick.

The reality is, no matter the approach, the Rubik's Cube does not solve itself with some hushed secret trick we cubers don't want you to know about.

What about writing?  Tell me the secret trick to writing.

Johan Lorbeer

The only trick is to get your butt into the chair.  Write.  Just write.  That's it.  Write!

You must do the work.  There is no magic formula to help you write your story.  There are no algorithms to memorize.  There is no other real trick.

All the talk about you being a plotter or a pantser, (writing by 'the seat of your pants',) doesn't really matter if you don't actually do the writing.  So, that's it.  The real trick to writing – write.

Perhaps you've heard this before:  the best person to write your story is you.  In fact, the only person to write your story is you.  What are you waiting for?  Forget about trying to find the latest secrets and shortcuts, get your butt in the chair already!

Revealed

What gets your butt into the chair to write?

Sunday, January 1, 2012

Short Stories? Like, Gag Me With A Spoon!

Yes, that was Nicolas Cage in 1983.
Happy New Year!

I tend to be oblivious to popular trends.  So I missed out during the early 80s and wasn't one of the manic geeks obsessed with the Rubik's Cube.

No, it took another twenty-five years for that to happen.

A new website called, YouTube (pronounced, yoo-tyoob,) allowed you to upload, view, and share videos.  It opened my eyes to a new and bustling world of the Rubik's Cube. A resurgence had been long underway.

Back in 2003, the World Cube Association held the World Rubik's Games Championship and the Rubik's Cube's popularity skyrocketed again.

Okay, skyrocketed may be overstating it a little, but when one of the geeks from the quasi-reality show, Beauty and the Geek, solved the Rubik's Cube behind his back, it was clear the cube was back in the mainstream.

Now if you talk about the short story, most people will say they have gone the way of the towering shoulder pads and over sized jackets of the 80s.  Some say the short story is dead.

But it doesn't have to be this way.

Is a frenzied resurgence of the short story just around the corner?  There is certainly potential with these major elements:
  • short attention spans
  • fewer newspaper and magazine sales
  • seekers of high quality, low cost reads
  • Amazon.com
Sadly, I don't think we're going to see a resurgence soon.  Here's why.  Everyone is competing for our time.  As readers, we still look for quality reading, but in the quickest and easiest manner.  We could track down dozens of anemic literary magazines, or we could simply go to Amazon.com.

But the Amazon machine is broken.

As long as Amazon is a stomping ground for the 99 cent eBook, short stories cannot have the massive success they once had and still deserve today.

Take a cue from iTunes.

The music industry adapted and began selling 99 cent songs so consumers could impulsively fill up their MP3 players.  But there is a clear delineation between a radio single and an entire album.  You don't see albums selling for 99 cents.  And you don't see 1 penny songs for that matter.

Should a short story have the same value as a novel?

There should be a clear delineation between the price of a short story and an eBook novel.  If readers buy a short story for 99 cents and like it, they will, and should, pay more for your novel.

The short story is not dead, but readers like me are waiting for the next revolution.  I would love to see talented short story writers be able to earn a living like Charles Dickens.  I think the potential is there for it to happen, but not without some changes.

What do you think?  Is 2012 the year of the short story?

Thursday, December 29, 2011

13 Reasons to Follow This Blog

13 Reasons to Follow This Blog:


1. You'll never look at a Rubik's Cube the same way again.


2. It's safe to follow, I'm not the Jason from those old horror movies.


3. I'm funny  at least that's what my mom tells me.


4. If you aren't interested in writing tips, you'll get Rubik's Cube tips  and vice versa.


5. If you join and comment, I will slather you with Internet love  meaning I will mention you on Twitter or visit your blog.


6. Each post has a unique aftertaste turning sour tastes sweet for at least thirty five minutes. (Miracle Berries)


7. Once I reach 42 blog followers, I will reveal the mysteries of the Universe.


8. It's free, but membership has its privileges.  No annual membership fee.  Did I mention it's free?


9. Can you say contests and give-aways?  Sorry, members only.


10. Each post is conveniently sent to your Google Reader.


11. Join today, it will look good on your resume.


12. It's for adults only and it's 100% free of Dora and Kai-Lan.


13. Play The Puzzling Mind Drinking Game  take a shot every time I mention the Rubik's Cube.


What are you waiting for? Join, comment, and enjoy all of the benefits The Puzzling Mind has to offer. 

Thursday, December 15, 2011

Thursday 13: Why You're Not Published

13 Reasons Why You're Not Published:
  1. Best-selling authors are not discovered by talent agents wandering the local shopping malls.
  2. Your male-male-male paranormal romance is not Middle Grade fiction.  Ever.
  3. You tout yourself to be the next King, Rowling, or Shakespeare – sorry, you're not.
  4. You're not ready to be published yet.  You haven't written enough.  Scouring the web for farting Pandas is not writing.
  5. Your pitch is too weak.  "I can solve the Rubik's Cube."  Big deal, who can't?  Tell me you can solve it while juggling and now you've at least got my attention.
  6. Forty chapters of your main character staring at themselves in various mirrors will not sell.
  7. The Simpsons did it already.
  8. Your first novel does not deserve solid gold typesetting for your revered masterpiece – nor a seven-figure advance.
  9. Your scented submission printed on glow-in-the-dark paper was sent directly to – the recycling bin.
  10. You handle rejection as poorly as one of your angst-ridden YA characters.  Despite the temptation, always bite your electronic tongue.  Admittedly, the use of profanity and insults via email, Twitter, Facebook, and your blog will get you noticed – but only as unprofessional and difficult to work with.
  11. Your mom is not an editor.
  12. Your novel cannot be sold as a series.  Publishing is a business.  I got hooked on the Rubik's Cube, and then on every variation of that theme.  Just ask my wife how much money we're sending overseas to find the next great twisty puzzle ;-)  It was the original one that started it all, and each subsequent one brings in the real money.  Keep that in mind with your novel.
  13. There is simply too much competition.  Vampires, need I say more?
Thirteen is certainly not an exhaustive list.  Do you have any to add to my list?

Thanks to the queen of subtle on Flickr for the fantastic picture.