The Rubik's Cube & Writing

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It's hard to believe I have been blogging about the Rubik's Cube and writing for over two years.  Especially since I never thought it would last much beyond my "10 Ways Writing is Like the Rubik's Cube" post.

This blog began mostly out of curiosity.  Just how far could I stretch it?  Could I continue to make new connections between something so technical and something else so abstract?

I'm happy to say, yes.  The ideas continue to come.  This is part of the creative process and I love it.  Making connections that were not there before.  Uncovering personal truths by challenging myself and pushing the limits.

I feel like I have accomplished my goals here.  But being the kind of person who enjoys pain and thrives on challenges, I must set new goals.  Truthfully, I'm not sure exactly where those new, lofty goals lie.  And thus, I will be taking a hiatus from my blog for a few months while I figure it out.

Honestly, I never thought I would have any visitors to the blog -- let alone followers.  Thank you.  I am grateful to all of you and your wonderful comments.  I look forward to reengaging with you all very soon!

I also never thought I would write a novel in 30 days or be able to solve the Rubik's Cube blindfolded.  But none of that would have been possible without the discipline of blogging and encouragement from the writing community.  I hope you will be encouraged to set new and higher goals for yourself, too.

Thank you for your support.  See you soon!

Am I Missing Something?

I'm still fascinated by the Rubik's Cube even though it's been around now for more than 30 years.  It's such a complete and unique puzzle.  And it's satisfying to the very end.

But what if you didn't realize a piece was missing until the very end?

Wouldn't you feel just a little cheated?

Well, I had similar feelings after finishing the book, Miss Peregrine's Home for Peculiar Children, by Ransom Riggs.  I don't normally write book reviews, but this is such a unique and interesting book that I feel compelled to share my thoughts.

The story is told by 16 year old, Jacob Portman, but is also told through a series of strange, vintage photographs interspersed throughout the book.  On their own, the pictures are quite interesting and fun to flip through.  The cover art picture, featuring a levitating girl, and the book's title were enough to hook me.  Overall, it's an intriguing book and I recommend it.

I read the Kindle version, so I probably did not get the full experience had I read the print version, but for me, the screen display of the pictures was sufficient.  If you're really into the visual experience, then I suggest buying or loaning the print book.

The narrative story can stand on its own without the benefit of the photographs.  But the pictures really do enhance the overall experience of the story.  It's a fun and quirky book.

Summary

The story revolves around the murder of Jacob's grandfather and the adventure Jacob embarks on to learn the truth about his grandfather's strange childhood.  But the story is really more fantasy than murder mystery.  It may be dark at times, but it's also not scary, so your tweens won't have nightmares reading it.

Jacob is just like any teen and doesn't fit in anywhere.  Nobody quite understands him except for his quirky grandfather -- who just may be losing his mind.  They have a special bond and his grandfather always tells Jacob fanciful tales about the children he lived with at an orphanage in England before World War II.

Jacob is older now and is no longer convinced by the poorly altered old photographs that "prove" that these children had supernatural talents.  Jacob assumes the children were special because, like his grandfather, they were Jewish refugees of the war.  Thus, Jacob is saddened by his grandfather's dementia and increased paranoia of the "monsters" from his past.

It is not until Jacob's grandfather is brutally killed by a strange looking animal that Jacob begins to wonder if those fanciful stories may somehow be true.  Jacob is called to adventure by his grandfather's cryptic dying words and seeks out the old orphanage.

His family assumes Jacob is losing his mind out of guilt for not being able to save his grandfather's life.  With the encouragement of his psychiatrist, Jacob visits Wales to find answers.

Thoughts

I really enjoyed the prose of the book and thought it flowed well.  There is a passage where all these years later, Jacob walks into his grandfather's dilapidated orphanage expecting some ancient crime scene, "...but all I found were rooms that had become more outside than inside."  There is a nice visual style to the writing and the main story elements flowed naturally.  Although the story line weaves its way through unusual hoops, it's easy to suspend disbelief and just go with the story.

Of course the book is peppered with the strange photographs, too.  I appreciate the challenge it must have been for the author to brilliantly spin a truly unique story around the dozens of photographs.  This was like a writing prompt on steroids.  Just take an album of weird and random photographs and make a story out of it.  I love this about the book.  I love even more that it's a good story and not just that he incorporated all of the photographs.

The story was well written for a debut novel and had great promise.  I found myself guessing about what might happen in the next chapter and then the next.  However, the piece that I was left missing was the ending.  I was disappointed in the ending because there was no satisfying resolution.

I'll admit the question of Jacob's grandfather's death was solved -- so technically that's a resolution -- but that's not enough given all of the build up of the story's main adventure.  Too many unresolved and unanswered questions remain and then the story simply fades to black.  It's rumored that a sequel is in the works, but not everybody wants to go to the next book to see how things play out.  I certainly don't.

Just like the Rubik's Cube missing a corner piece, I felt the last pages were missing from this book.  I wanted more -- not from a sequel -- but from this book.  On the one hand, I usually feel if you don't have a sufficient ending, then you don't really have a complete story.  However, this book is so fascinating, unique, and interesting in its premise and how it's executed, that I still recommend reading it.

Yuvi's Zalkow's Fear & Failure Experiment

Today's post is dedicated to author, Yuvi Zalkow, whose work I first read in the literary magazine Glimmer Train.

I immediately loved reading his quirky voice and was delighted when I rediscovered him through his wonderful blog and hilarious Failed Writer videos.

It's hard to refer to Yuvi as a "failed" writer since his debut novel was released earlier this week.  But that hasn't done much to ease his mind.

Even in the midst of his book launch – the very definition of success for most writers – he discusses his fears.  As a way to commiserate with other writers about fear, he started the Fear & Failure Experiment.  I'm showing support for Yuvi by sharing some of my own fears. 

In the past, I have talked about failure and quitting, (Go Ahead, Quit! It's Not Taboo) but this time I'm going to talk about my fear of failure – not just quitting outright.  For me, fear of failure is a terrifying issue.  And as usual, I will discuss this in two parts.

A Puzzling Fear
You probably know by now, but I have a puzzling reputation to uphold.  It didn't take me long to conquer the major Rubik's puzzles without much difficulty.  But not long ago, I decided to discard the safety nets and find a new challenge that would put my reputation on the line.

I sent away for a Crazy 3x3 Cube (pictured above).  Now this puzzle is not stocked at your local Toys "R" Us.  It looks like the result of an apple corer and a Rubik's Cube getting into a fight.  Undeterred, I thought, "How hard could this be?  It just has a few more pieces in the centers than a normal Rubik's Cube."

It turns out those tiny pie-shaped pieces brought me to the brink of insanity.

I bought this puzzle when it was first released so I didn't have the luxury of cheating with YouTube tutorials.  I was on my own.  My plan was to very carefully experiment with different tricks and techniques I had learned from the other Rubik's puzzles.  Starting with a solved Crazy 3x3 Cube I thought I could simply determine which techniques I could adapt.  But before I gathered any meaningful data points, the entire puzzle was scrambled beyond belief.  I had inadvertently jumped into the unknown.

It took the entire first night just to get it to the state pictured above.  It may have appeared to be nearly solved, but there were still 24 pieces out of place.  It was past midnight, I had no plan, and I had to work the next day.

For the record, I did not give a second thought to the cube until well after 5pm that following day.  However, a cursory glance through my internet history at lunch just might have shown a frantic search for a video tutorial to solve these tiny pie-shaped pieces.  It was torture.

When I finally got my hands back on this crazy cube I had a primal urge to determine how the pie-shaped pieces moved about the cube.  I felt like Newton and would invent Calculus if need be.

I spent the evening scribbling notes and trying to chart positions.  It was a terrible and cruel shell game.  Pieces moved, but I could not decipher the patterns.  That's it!  I told my wife.  I cannot figure this one out.  This is the hardest puzzle I have ever tried to solve.  I cannot do it.  It's over.

I went to bed defeated.  I had failed.  Was I even worthy of calling myself a puzzler?

On the third evening, I reluctantly picked up the crazy cube.  There was one sequence of moves I rarely used on the normal Rubik's Cube.  I gave it a try.  For some reason, something clicked in my brain and I realized that there might be a way to isolate a pair, or three, or four pieces at a time.  If the pie-shaped pieces could be isolated, they could be swapped with others.  I scribbled more notes and eventually made progress.

It was painful, but before midnight on that third night I solved the Crazy 3x3 Cube.
Writing Fear of Failure
There is no such happy ending with my writing.  I'm still paralyzed by the fear of failing.

For the past several years I have been "working on my craft".  I have told myself that I'm not ready to publish yet because I have more groundwork to lay.  That's not true.

Yes, I will always work on my craft and continue to evolve as a writer until I die.  But that's not the reason why I haven't seriously submitted my work for publication yet.

It's fear.

It's the same fear Yuvi has reading in public.  It's the same fear I had my first day of Kindergarten.  What if no matter how hard I try they don't like me?

What if after years of writing and learning to write I never get anything published?  What if my main character is unsympathetic?  What if my critical plot twist doesn't convince the editor?  What if my voice simply isn't compelling?  What if my first novel isn't commercially viable?  What if my writing is derided at epic levels like EL James'?  What if my ending is predictable?

I don't know how to get over my fears of failing as a writer.  Sometimes I feel like I'm defeated before I have even started.  Like that second night with the Crazy 3x3 Cube.  Maybe I don't have that it factor. 

I'm inspired by people like Yuvi who persisted and journeyed on through over 600 rejections.  But he's special.  He has found his voice.  He has found success.  He is a writer.  He is an author now.

I'd love to open my 601st response letter and finally find success.  But I need to get over my fear of failure because the first 600 submission letters aren't going to mail themselves.

What about you?  How do you deal with fear and failure?

The Puzzling Mind Clip Show

 

Sometimes it's nice to reminisce and be reminded of funny, exciting, or profound moments from the past.
Television studios use clip shows to do this – although the practice has become rare.

Clip shows are not always a Best Of show.  They can also be a convenient way to bring audiences up to speed on things they may have missed in past episodes.

Sometimes history is worth repeating.

Today, I'm bringing you my blog clip show.  Here are 13 posts compiled from the archives.

Please don't be shy and feel free to leave a comment anywhere.  I love to hear from you.

10 Ways Writing is Like the Rubik's Cube
Are You Afraid of Process?
13 Reasons Why You're Not Published
Do You Need a Deadline?
Don't Do What You're Told!
It's the Journey, Not the Destination
Story Structure and the Rubik's Cube
Go Ahead, Quit! It's Not Taboo.
The Rubik's Cube and The Great Gatsby
Short Stories? Like, Gag Me With a Spoon!
The Trick to Writing – Revealed
Billions of Free Story Ideas – At Your Fingertips!
13 Popular Novels Gone Dirty

And if you haven't checked out my latest Rubik's Cube writing post you're in for a treat.  This one really does require audience participation:  The Rubik's Cube Writing Promptetition.  If you're a writer, then you should share something with the world.

Thank you for stopping by!

Thanks to Cyaniona on Flickr for the great photo!

The Rubik's Cube Writing Promptetition

Practice makes perfect.  Sometimes you just need help getting started.

Speedcubers perfect their ability to solve the Rubik's Cube by being flexible and adapting to different scrambled states for each solve.

In competition, participants are given a scrambled cube that has been turned at least 25 times.  This ensures that everyone is presented with a fair starting point.

Even if every competitor were presented with the exact same starting point, let's say:

L'  R  F2  D2  L'  D  F  B'  L  F'  U'  D2  F  R'  U'  L'  B2  D2  L'  D'  U2  F'  L  D2  L

you would get wildly different results.  For example, this particular scramble may produce the World Record solve of 5.66 seconds – or the embarrassing 39 seconds with my lethargic hands.

(Nerd alert: The code above simply defines the sequence of turns to perform on the cube to mix it up.  L for left face clockwise, R for right face clockwise, etc.)

In any case, there are websites that generate these random scrambles that give you a starting point for any particular solve attempt.  It's a nice way to get an apples-to-apples comparison for timed competitions.

Now when we write, we don't always have a convenient starting point.  So today, I am giving you a writing prompt.  It's always fun to see the variety of different things writers come up with when given the exact same prompt.

Your goal is to write a story, a scene, a description – anything really – based on the following prompt.  Post your results in the comments below.  Please try to keep it to approximately 100 words.

Prompt:

Start your piece with the following sentence:

With the marching band eager to storm the field, she fumbled with the Rubik's Cube trying to shield her nakedness from the stadium lights.

The Rubik's Cube Promptetition emphasizes challenging yourself rather than besting others.  Also, this is not a timed event – unless you want it to be.  And although this is not judged officially, you just might win praise from me or other participants.

 

Have fun and Go!

Thanks to Argonone on Flickr for the picture!

Don't Hate 50 Shades of Grey

Square-1

Perhaps you've heard the hype surrounding the recent phenomenon.  Maybe you can't understand why it's so popular.

• Some say the quality is poor.
• Others point to its awkwardness.
• And is it really so original?

I'm talking about the Square-1 of course.

The Square-1 is a twisty puzzle.  I like twisty puzzles.

When solved, The Square-1 ends up as a six-sided colored cube.  Yep, I'm a cuber, keep going.

The Square-1 offers a unique challenge and it changes shapes when it's scrambled.  Again, sounds like something right up my alley.

Yet, I don't particularly like this puzzle.  But I don't hate it either.

The Square-1 is sliced through the middle on a diagonal axis that makes it rather different to solve than other puzzles like the Rubik's Cube.
I could appreciate what the Square-1 set out to do as a puzzle.  You turn faces.  You attempt to move pieces around the puzzle.  And you try to match all of the colors on each side.  

For me, it was a bit more painful to solve, but it had me intrigued.  I was hooked.  The Square-1 had that something to keep me at it until I was done with it.

And that was why I didn't set my Square-1 ablaze after I discovered it's not so much like the Rubik's Cube after all.

Let's move on to the recent phenomenon, 50 Shades of Grey, and see if there's something to appreciate in it, too.

Love it or hate it, this novel by E.L. James has become wildly popular.

I'm not going to jump on the bandwagon and write a scathing (or praising) review of the book.  I really just want to point out there may be a lesson we can all glean from its popularity.

Sure the grammar may be awkward and the dialogue trying.  And there are already scores of blogs and websites dedicated to bashing the book.  But none of that academic stuff really matters.  It's not the writing style.  It's not the subject matter.

There must be something else between the covers that connects with so many people.

Identification

One of the biggest reasons for the popularity of this novel is character identification.

When you identify with characters in a story it's easier to suspend disbelief.  It's easier to ignore minor author annoyances.  You really just want to find out what happens to the characters.  Am I saying everybody who loved the book is into Sadomasochism?  No.  To identify with a character is not the same as imitating the character.

But what woman hasn't felt undesirable at some point and think she's not beautiful?  It can create a longing to feel desired and told you're beautiful.

Could this craving in Anastasia, the main character, be one of the things readers connect so deeply with?
And of course Christian Grey is a layered character in the novel -- it's called 50 Shades of Grey after all.  He's controlling, but he wants to be accepted too.  People can identify with these basic character struggles even if they do not share all of their specific traits or feelings.

I really think the lesson here is the character identification in 50 Shades of Grey is what strikes a chord that resonates so deeply with a lot of people.

Why do you think it's so popular?

The Rubik's Cube and The Great Gatsby

Practice makes perfect, but versatility spawns greatness.

I became a serious cuber when I finally accepted the truth of this statement.

No single method of solving the Rubik's Cube – no matter how perfect – will give you insight to truly master the cube.

Believe it or not, there are scores of methods for solving the Rubik's Cube.  Some are optimized for speed, others for ease of learning, and yet others to use the fewest possible moves.

It wasn't until I learned a method to solve the Rubik's Cube blindfolded, that I understood things on a more profound level.

Solving the cube sighted is rather reckless.  While you focus on one portion of the cube, you don't really care what happens to the majority of the other pieces.  And you have the freedom to 'wing it' and decide what to do next after each move.

But solving the Rubik's Cube blindfolded is a huge departure.  You are constrained in what you can do because you must keep track of the original position of every piece.  You must take great care to move each piece into its correct location.  This requires meticulous planning.

Many of the lessons I learned from my blindsolving method could be applied to my normal, sighted method.

What about writing lessons?

I'm willing to bet F. Scott Fitzgerald achieved his greatness because of similar lessons he learned along the way.

His first two novels were significantly character-driven and somewhat lengthy.  A stark contrast to his masterpiece, The Great Gatsby.  But if you look at what was happening in his life prior to that you'll see some of his versatility coming through.

He had been struggling financially and began writing short stories to make ends meet.  He later wrote a play called The Vegetable.  Each of these experiences heavily influenced what would become The Great Gatsby.

He no doubt applied some of the lessons he learned writing short stories.  And this produced the concise novel we have come to love.  But also, you can see the influence of having written a structured play.  The Great Gatsby is a very plot-driven novel.

So, if you write novels, try writing short stories.  If you need help writing dialogue, try writing a play.  If you write romance, try writing an action thriller.

There are countless techniques and methods for writing.  Each one has something special to make you a more versatile writer.  And don't worry if any one particular piece doesn't work – just remember Fitzgerald's The Vegetable was a commercial failure.  But it led to his most recognized achievement.

What unexpected writing lessons have you discovered?

Old Habits Die Hard

I'm haunted by old habits.

It would be easier if I could start over with a clean slate.  But I'm tainted by the past.

Even if I find a better way to do something, I can't seem to break that old habit.

The Rubik's Cube
It's been a few years since I first learned a method to solve the Rubik's Cube.  I slogged away using one of the most inefficient, although straightforward methods for solving the cube.  But I've learned a great deal since then.

Like most things in life, it's not until after you've mastered the basics that you learn useful shortcuts.  But for me, I always gravitate back to the method I've been using since the beginning.  Although I have graduated to more advanced concepts that are clearly faster and more efficient, I inevitably revert to what I know.

My brain will pleads, "Just do, F, R, U', R', U', R, U, R', F'!"  But muscle memory kicks in, ignores that voice in my head, and my fingers just move according to the beginner's playbook.  It's something I cannot turn off.  It's something I'm too comfortable with.

When I'm in the zone, I just do what comes naturally, right or wrong.  It's a force of habit.

Writing Habits
The same goes for writing.

When I'm in the writing zone, it's really difficult to keep track of all of the tricks and techniques that make good writing great.  Or in my case, bad writing good.

One of my habits is writing scores of description and exposition with no real purpose in the scene.  Being enamored with the genius of your own prose is such a novice thing to do, but I can't help it.  Even if I know I should be thinking about things like conflict or establishing character, that beautiful prose wins out.

Perhaps you have a habit of using the same words over and over again.  Perhaps I'm guilty of it right now.  The truth is, it doesn't really matter while you're in the zone, as long as you apply all of the tips and tricks and lessons afterward, when you edit.

Your turn.  When you're in the writing zone, what bad habits are you haunted by? 

Thank you to Sudipto Sarkar on Flickr for the image!

Go Ahead, Quit! It's Not Taboo.

Super Square-1

I admit it.  I gave up.

Now, defeat is not really my thing, but sometimes it's just better to tuck your tail between your legs and move on.

To be specific, I gave up on a puzzle.  Yeah, that's the one.

It's not that there was anything wrong with this particular puzzle.  In fact, based on my love for twisty puzzles, like the Rubik's Cube, there's every reason why I should have stuck with it.

But I couldn't.  This one simply wasn't right for me.

Perhaps it was because I could not adapt and apply the same techniques I was already familiar with.  I don't know, but it felt completely foreign to me.  So with scores of other puzzles under my belt, this one stands alone.  Unsolved.  Abandoned.

But why should I dwell on it?  Does it really diminish the value of the other cubes I have solved? Does it really diminish how I perceive myself as The Puzzling Mind?

Who cares?

Our society puts too much emphasis on 'winning' anyway.  Right, Charlie Sheen?

Sometimes 'winning' is just realizing when you've reached your limit.  Or realizing when you are not progressing any further.

Sometimes quitting is the right thing to do.  The smart thing to do.

Take this story I have been working on for six months.  It's been written, edited, and rewritten countless times.  I turn it over in my head and struggle with why it's not working.  I cannot seem to get it right.  I can't get this particular story – done.

Nothing feels right.

The voice doesn't sound like me.  The characters feel uneasy.  The story resolves itself, but not profoundly.  In short, it's a mess.  But something has me clinging to this failure.

Why can't I let it go?  Is it really so wrong to shelf a story?

Well, I'm going to do something taboo!  

I quit.

There, I said it.  I quit.  I'm going to quit this story.

And look, I'm still here!

Society may scorn me, but I don't need its approval, or its permission.  I quit, because if I stay hung up on this futile story, I will never move on to others.  I'm going to accept defeat with this piece and simply move on.  I'm going to learn from this.  This particular story isn't right for me.  And I'm not going to dwell on it.

This feels great!  What a relief!  Life is too short to worry about what people may think.  Get over it!  If you're a writer, write.  If you're a puzzler, solve puzzles.  Not everything is going to work.  Not everything is going to feel quite right.  That's part of the process.

I give you permission.  If it doesn't feel right, give up.  Quit.



Are you hung up on something for the wrong reasons?  Please share your experience in the comments.

Maybe They're Just Not Interested

I'm a show-off.  I can't help it.  But I'm not alone.  Because I know at least once in your childhood you have said, "Hey Mom, look at me!"

Face it.  Everybody likes to be the center of attention.  Unfortunately, not everybody can be your Mom.  Therefore, some people simply won't be impressed.

I learned this lesson the hard way just after I learned to solve the Rubik's Cube.  Every chance I got, I demonstrated my new skill to everybody.  Well, the problem was that I didn't figure out how to solve the Rubik's Cube until adulthood.  Now, if I were still 8 years old, perhaps the story might be different, but most working adults have no interest in seeing another so-called adult playing with a toy.

Even still, I found a small percentage of people who were genuinely fascinated with my Rubik's Cube abilities.  They truly appreciated what I was doing.  They actually cheered me on.  I had found my ideal audience.

Find your target audience.

Now think about your writing for a moment.  At some point you need to accept the fact that you cannot please everybody.  This is a fact.  This is a guarantee.  But don't sweat it!

Some people simply are not going to be interested in your writing.  They are not your target audience.  Try to ignore the naysayers.

The great thing about writing fiction is there are so many different styles, genres, subjects, and lengths to write; you are bound to find readers to please.  When you do find your target audience, they will clamor for your writing.

Remember not every reader out there is going to be like your Mom, but they do exist.  So keep writing!


Have you ever felt discouraged targeting your writing to the wrong audience?

Story Structure and the Rubik's Cube

What can the Rubik's Cube teach you about story structure?  Everything you need to know to create dramatic stories!  Here's how.

Using the rule of threes.

Most people learn a layer-by-layer method when they first learn to solve the Rubik's Cube.  Simply put, you solve the cube like stacking layers of a wedding cake.  Solve the first layer, then the middle layer, and then the last layer.  Poof.  It's solved!  Easy as 1,2,3.

Most stories can also be broken down into three main parts.

You probably know that a story has a beginning, a middle, and an end.  Obviously!  But, what this really means is that a story must have the following three fundamental elements:

1. A conflict
2. Character(s) struggling to overcome the problem
3. The resolution (either won or lost)

That's it.  Include these basic elements and you have the most common story structure.

For example:


What is the conflict?
I must solve this puzzle, but there are 43,000,000,000,000,000,000 possible ways to further mess it up.

What is the struggle?
I plan to solve the puzzle one layer at a time.  Complications arise.  If I try to solve the pieces in the middle layer, I risk messing up the first layer pieces.

What is the resolution?
My actions bring me to a turning point.  I now have two layers solved.  Here, the stakes are highest.  With every move to solve the remaining pieces, I might have to start over from the beginning.  I am fully committed and must risk it all to move forward.  I will reach a final resolution.  


On the one hand, I may achieve my goal and solve the cube successfully.  On the other, I may not, and I chuck it against the wall in frustration.  Either way:  "The End".  The story is resolved.

You'll find these three elements in almost every classic story, from "Romeo and Juliet" to "Cinderella".  The amazing thing about Shakespeare is he didn't even have the Rubik's Cube as a guide and yet he still wrote masterful stories.


If you found this helpful, please comment below or share on Twitter or Facebook.

How To Write Fiction

This image originally appeared in my Don't Over Think It post.

If you don't know what you're doing then everything seems impossible.

Take the Rubik's Cube.  When you open the package, an "instructional booklet" will fall out.  It may as well be a booklet on Quantum Theory printed in Aramaic.  Really, it's supposed to be a booklet of hints to make solving the Rubik's Cube achievable.  Fun even.

It won't take long to realize that booklet is useless.  If you persist and don't smash the cube into a million tiny pieces, then you will eventually discover a "Beginner's Method" to solving the Rubik's Cube.  These are all over the Internet.  These methods actually used to appear in books – (you know, those paper thingies).

It may seem awkward at first, but the instructions provide a series of tried and true steps and before you know it, Viola!  You have a solved cube.  But there are many different ways to skin a cat.

I have studied many different methods over the past few years.  This gives me a lot of flexibility to adapt different tricks and techniques for each situation.  I achieve the same end state, a solved cube, but I'm not forced to do it the same way every time.

The same is true for writing.

If you don't know what you're doing, getting published may seem impossible.

When you first become serious about being a "published" author, it's natural to start with the tried and true.  What did Stephen King and Nora Roberts do to get published?  The real question to look at is what did they do to create fascinating stories for their readers?

But don't get too confident too soon.  Learning about character development is one thing, but don't expect to be able to put 20-30 three-dimensional characters into your story right away.  You'll need to focus on the craft at first.

What works for King or Roberts, might not work for you.  And that is just fine.  Don't just try to emulate their processes either.  There's a lot of talk in the writer community about outlining or not outlining.  Writing every day or only on the weekends.  Editing as you go or not looking back until you have a completed draft.

The truth is.  It really doesn't matter how you get there.  You need to allow yourself to understand what works for you.  For any given situation.  You may be experienced writing romance but trying to sell thrillers.  You need flexibility.

So, whether you use a "Beginner's Method" straight out of a writing craft book, or an "Advanced Method" gleaned from the likes of King or Roberts, you will find some basic and universal truths.  These truths are what makes writing worth reading.  That's why Nora Roberts has published more books than I have probably read in my lifetime.

What is the best writing lesson you have learned?

Bigger Doesn't Mean Better



Tony Fisher - Modifies Rubik's type puzzles
(Somebody who's actually more obsessed with the Rubik's Cube!)

 Once you conquer the Rubik's Cube, you'll keep your eyes out for the next big thing in puzzling. 

First it will be the Rubik's Revenge, or the 4x4.  Then it will be the Professor Cube, or the 5x5. 

Next, feeling particularly confident, you'll send away for a 7x7x7 cube.  This puzzle has seven layers of tiny pieces in every dimension.

It's so large, it bulges.  You'd have a hard time convincing your Geometry teacher that this is in fact still a cube!

I actually have a 7x7 cube.  What I quickly learned was that Bigger isn't always Better.

Turning this puzzle is difficult because there are so many layers to deal with.  It jams when the layers are not perfectly aligned and some of the small pieces can pop out.  But the dramatic size is really the problem.  It's simply too awkward and difficult to hold.

Once you get past the novelty of yet another variation on a similar theme, this enormous cube doesn't seem worth the hassle.

The same can be true with your writing.  Bigger doesn't mean better.

As writers, we are inundated with all sorts of advice and it's difficult to know which lessons to heed.  One piece of advice I often hear is along the Go Big or Go Home theme.  You've got to hook readers and keep them hooked.  That won't work with boring stories or boring characters.

The problem is that unpublished writers often interpret this to mean grandiose stories and characters.  They err on the side of melodrama rather than creating compelling drama.  So they will introduce more plot complexity.  They will bring you bigger explosions on Page 1.  They will bring you more stuff happening to characters we can't identify with.

A car explodes on a busy street in the first chapter.  A house explodes later.  Eventually, you decide, there must be a nuclear explosion before it's all over.

But really, your stories don't have to be grandiose.  Readers can see right through gimmicks.  When a reader abandons an action-packed story, it's usually because it's just become too awkward and unwieldy.

Now, there is nothing wrong with explosions.  But you can wow your reader with subtlety too.  Think about how much more powerful it is for the reader to experience tension and suspense, rather than having their hair blown back.

How would you make your story better than that last best seller?  It's easy to think Bigger.  But the reality is that publishers (and readers) want "the same, but different".  By the same, this means doing what is tried and true for a genre.  By different, this means original, but not melodramatic.

Tony Fisher (shown above) has been successful modifying Rubik's type puzzles because he is able to tap into what was successful with the original puzzle and still keep that essence with his various inventions.

What do you think?  Is bigger better?

Analysis Paralysis

Something's broken.  And I'm stuck.  One of the pieces on my cube broke and I have been too nervous to try to fix it.

I have been worried that glue would seep into the internal mechanism and render it useless.  Or that I might accidentally affix the tip of my finger to my cube – and literally be stuck.  Either situation would be too painful to bear.

I have been too paralyzed to fix it and so I haven't been able to enjoy all that it has to offer.  But it hasn't been all bad.  It has forced me to spend some quality time with other, more neglected puzzles.

And that's just it!  Sometimes when you think one thing is broken, it could actually be a sign that your priorities are broken.  Perhaps I have been worshiping this particular cube.  Perhaps it broke because of overuse.  With all of this focus on this one cube, something else had to suffer.

I've had this sort of thing happen with my writing too.  Certain things in life tend to bubble up and wedge out what would be my writing time.  Just like the broken piece on the cube, things beyond my control prevent me from writing the way I really want to.  It's inevitable, and that's okay.

The problem is that I have been obesessing and worrying about not writing the way I'm used to.  I really should embrace this time as an opportunity to reevaluate my priorities.  Maybe something else is actually broken.  Maybe this is the new norm.  Maybe there is no glue to "fix" my writing.

In any case, I do think it's time to get out the super glue and fix that puzzle.

Does your writing ever suffer from analysis paralysis?

Tumbling into Wonderland

The one that started it all.

Little did I know that solving the Rubik's Cube for the first time was like tumbling down the rabbit hole.

I discovered a fascinating Wonderland of twisty puzzles.

An entire world of strange and exciting puzzles materialized before my eyes.  Just months earlier, I thought I had finally joined an exclusive brotherhood having solved the Rubik's Cube.

How could so many other puzzles exist beyond the Rubik's Cube?  Had they always been there?  Was I blind?

If it weren't for the original Rubik's Cube, would I ever have been introduced to the other puzzles I have come to love?

And then it hit me.

How different would my life be if I weren't a writer?

Much like my discovery with the Rubik's Cube, I discovered something when I became a writer.  Had I not pursued a writer's life, I might have missed out reading the following books.

WISE BLOOD by Flannery O'Conner

I have always had a love for short stories, but I was not very well read in my younger years.  Sure, I read Poe and Hemingway, but I devoured King's short story collections after I became overwhelmed by his unabridged novels.

Once I reinvigorated my writing life, I found a secret river of writing knowledge that had been rushing in my own backyard the whole time.  I wanted to write short stories and I had to learn from the best.  And that's when I found Flannery O'Conner.

She demonstrated such skill in such a short amount of time, I found I had to read everything I could get my hands on.  So I read Wise Blood.  I really enjoyed it because it was so quirky.  It almost read like a collection of short stories.

Had I not become a writer, I would not have been compelled to read anything but her short stories.

SOME OF YOUR BLOOD by Theodore Sturgeon

This isn't the first time I have discussed this fantastic novel.  In my earlier post, It's the Journey, Not the Destination, I talk about why it was such a joy to read.

But this book also taught me a great deal about breaking the rules of writing.  I could have easily become frustrated early on and tossed the book aside had I not appreciated it for what it was.

You hear stories about garage sale Picasso's.  Well, had I not become a writer, I may have discarded this book and been none the wiser.
MONEY: A SUICIDE NOTE by Martin Amis

When I read this novel, I did not know much about the writing craft.  To be honest, I did not enjoy it too much.  I laughed in a few parts and the protagonist was interesting, but certainly not likeable to me.

Then again, I didn't really know the difference between a character-driven and a plot-driven story.  All I knew was this book was mildly entertaining, the characters were unpleasant, and I felt like the story was rather pointless.

Had I not wanted to learn from the "greatest" novels, I may not have ever read this book.  But this novel was another rule-breaker in many ways.

BOOKS ON WRITING CRAFT

Finally, I doubt I would have read so many books on the craft of writing.  There are far too many to mention.

Although, I certainly would have still read the greatly cited ON WRITING, by Stephen King.  I read anything by King.  I would have lined shelves with boxes of cereal if the box panel copy had been written by him.

What about you?  How do you think your life would be different if you weren't a writer?

Billions of Free Story Ideas - At Your Fingertips!

I had a major realization on Valentine's Day.  And no, it had nothing to do with loneliness or feeling needlessly pressured to commit.

While I was arranging my candy conversation hearts into suggestive phrases, (yes, I can be quite immature,) I was struck by a clever idea for the writing process.

As you know, there are billions and billions of possible combinations to the Rubik's Cube.  Actually, there are over 43 Quintillion.  (But, let's just say, infinite to us mortals.)

Well, if a small bag of stale Sweetheart candies can produce at least one gem of an innuendo, just think of the possibilities with 43 Quintillion hearts!

What does this have to do with writing?

• Do you ever get writer's block?
• Not too thrilled with your current plot ideas?
• Do you have a scene in Act II that just doesn't cut it?

What if you had a convenient and portable way to spice up your writing?

Introducing The Rubik's Cube Writing Prompt Generator.  With this device, I guarantee you will never come up with the same scene or story idea twice.

So, here's the deal.

You can use a Rubik's Cube to generate six master plots or dramatic conflicts with every scramble.

 

A Rubik's Cube has six sides, each with nine different stickers on it.  A major story element can be written inside of each sticker: conflict, setting, character flaw, etc.  Mix up the cube, and you just may end up sticking that vampire in a zombie apocalypse.

One thing you should know.

The center positions are never going to move relative to each other.  Therefore, this should be a central conflict or one of the universal plots you enjoy working with.  The other stickers are completely up to you.  A single word.  A small phrase.  Random.  Related.  It doesn't really matter.

New prompt every time.

The great thing about The Rubik's Cube Writing Prompt Generator is, every time you scramble the cube, you have six different story ideas to choose from.  Even if you end up with something you don't like, you can always scramble it some more for a totally new set of ideas.

The Rubik's Cube Writing Prompt Generator can help you generate new and fresh ideas when you are stuck.  It's very flexible, infinite, and, unlike Sweethearts, you won't have the dreaded Sugar Crash.

What do you think?